Balinesedance

Photo Gallery of Virtuoso Dance

About Virtuoso Dance

It is unclear when Balinese virtuoso dance began. While some accounts place its origin in the seventeenth century, such a date is entirely speculative. It seems far more likely that the kind of dance for which Bali became famous began to emerge at the end of the pre-colonial period in the last decades of the nineteenth century when foreign theatre and dance forms, like Chinese opera and Stamboel, reached the island from Java. For it would appear that virtuoso dance was a complex cultural response to political and social changes going on in Balinese society. The old feudal order, faced with defeat by the Dutch, committed mass suicide and Bali became the favourite playground for an international artistic élite and, subsequently, tourists. To meet the demands of these visitors, who expected something similar to their idea of virtuoso dance, such as ballet, the Balinese adapted their theatre and temple dances, by creating tari lepas - 'free dance', that is dance stripped of its historical, literary and cultural context.

The earliest, and still the most famous, of these dances, Lègong, probably dates from the late 1880s when it was danced by males. It was not until the 1920s that Lègong assumed something like its present form and bloomed into a rich genre. Around 1914-16 in North Bali, where the Dutch had first arrived, a brilliant new form of gamelan music, Kebyar, emerged and with it gradually much more dynamic dances. When the Japanese invaded the Netherlands East Indies, including Bali, in 1942, the new military commander commissioned bebancihan, or cross-gender, dance, where young women danced male roles, a genre that has remained popular. Among the many virtuoso dances, one deserves special mention. It is Olèg Tamulilingan, the dance of the bumblebees, which was unique in featuring a male-female duet and was commissioned by the English impressario John Coast for the Balinese tour of the UK and USA in the early 1950s. Since then the number of Balinese dances has burgeoned. For a good account, see Dibia & Ballinger 2004. Balinese dance, drama and music: a guide to the performing arts of Bali . Periplus: Singapore.

 

Lègong Kuntul

Lègong Kuntul - close-up. An unusual and beautiful kind of Lègong dance. It depicts the life of two herons. As with other Lègong, it is technically exceptionally demanding because the dancers have to perform in perfect synchrony for half an hour.

 

Taruna Jaya, the victory of Youth, the epitome of the dynamic Kebyar style, an extremely demanding and dramatic dance.

Taruna Jaya is also a bebancihan (cross-gender) dance in which a young woman portrays a young prince reaching maturity.

 

Olèg Tamulilingan - the young female bumblebee

Close up of Olèg Tamulilingan, the dance of the bumblebees - a great romantic duet, choreographed by the legendary Kebyar dancer, I Ketut Maria. In the original version a lecherous old male bumblebee tried to seduce the young female who fled in horror, leaving the male to dance out his frustration. It was rechoreographed to provide a romantic encounter between two young bumblebees.

 

 

Panyembrama, 'The Welcome Dance'.

Panyembrama, 'The Welcome Dance'. Balinese had originally used Pèndèt, a temple dance to greet distinguished visitors. Concerned this this was confusing religion and entertainment, a secular version was commissioned for the purpose. Sambhrama means to bustle about and greet important guests. The imagery is of beautiful young girls offering flowers and refreshment to visitors.

 

 

Cendrawasih, the Birds of Paradise

Cendrawasih - close-up. A very popular new dance choreographed by Ni Luh Swasti Wijaya Bandem in 1988, it depicts two birds of paradise. There are echoes in the costume of Firebird, which Swasti Bandem saw in Paris..

 

All photographs are of Ni Madé Pujawati.

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